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Adobe after effects cs5 tutorials for beginners free. Getting started with After Effects (CS4, CS5, CS5.5, CS6, & CC)
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Hello, world. Take a few minutes to follow the step-by-step instructions in this tutorial. Next, follow along with this very simple set of three videos , which show you the basics of importing media, trimming footage, animating with keyframes, adding effects, and exporting to Vimeo, YouTube, and other common formats using Adobe Media Encoder.
For our example, we used a DJ, had Motion Tracker follow the action of his forearm over the turntable, and then applied a lens flare to that motion track. In the Composition Settings dialog box, name the composition Motion Tracker, select an appropriate video preset, accept the other defaults, and click OK. Select the video file you want to use in this task and click Open.
Figure 56 Composition panel, clip with Lens Flare applied The video file appears in the Project panel. Drag the video clip to the Motion Tracker composition in the Timeline panel.
The clip appears as a layer. Click the clip layer to display it in the Composition panel. Make sure the CTI is over the clip in the Timeline panel and the clip is showing in the Composition panel. Analyze Forward button A lens flare appears in the Composition panel Figure Briefly, it consists of a search region outer box , feature region inner box , and attach point plus sign. After Effects Help explains how to adjust these features. Click Edit Target.
The Motion Target dialog box appears Figure Note: If you had more than one object or effect to choose from, there would have been additional Effect Point Control selections. Figure 59 Motion Target dialog box In the Layer panel, click in the search region of the Track Point 1 pointer the outer box and drag the pointer to the object you want to track.
Figure 60 Track Point pointer feature region Check that the CTI is at the beginning of the video. The video plays and the Track Point 1 pointer follows the target you selected. In the Tracker Controls panel, click Apply. Play the Timeline and watch the Lens Flare follow the object on-screen Figure The technique was invented by Max Fleischer in , when he projected motion film images onto a frosted glass panel. He traced the images on the glass, one frame at a time, creating realistic animation.
His original equipment was called the rotoscope. For example, an object or character appears in color when everything else is black and white Figure 1. Anytime it looks like someone has drawn or painted over the movie, frame-by-frame, you are probably looking at the result of rotoscoping. Figure 1 Rotoscoping before and after These days, rotoscoping refers to the technique of creating a matte for a moving element on one layer so that it can be composited over another background layer.
The Roto Brush tool in After Effects makes this process a lot more efficient by helping you select and mask each frame in less time and with greater accuracy. Keying and rotoscoping are not the same process, but understanding keying will help you understand what you hope to accomplish by rotoscoping. With keying, you have shot your footage with a foreground and background that you can easily separate and replace.
For example, you may have shot your subjects in front of a blue or green screen. Rotoscoping allows you to work with your existing footage that was shot in its natural environment. To complete the tasks in this guide, you will need to import one short video clip just a few seconds with some motion. The best sort of video clip has at least one moving object in the foreground that you would like to isolate from the rest of the scene.
To add the foreground and background layers: 1. Start After Effects. The Composition Settings dialog box appears Figure 2. Name the composition Rotoscoping, select an appropriate video preset, and click OK.
Browse to locate your motion video clip, select it, and click Open. The video file appears in the Project panel. Drag the video clip to the Rotoscoping composition in the Timeline panel.
Figure 2 Composition Settings dialog box This copy of the clip will be the foreground. Drag a second copy of the video clip to the Rotoscoping composition in the Timeline panel. This copy of the clip will be the background. There are now two copies of the same video in the Rotoscoping composition Timeline Figure 3. You can do this by using the Pen tool to carefully select objects in every frame.
To create a matte by rotoscoping: 1. Double-click the video clip in the top layer of the Rotoscoping composition Timeline. The video opens in the Layer panel Figure 4. Click the First Frame button in the Preview panel to move the current time indicator CTI to the first frame of the selected video clip Figure 5. Work with the Roto Brush in full resolution for more accurate selection. Select the Roto Brush tool in the Tools panel Figure 6. With the Roto Brush tool selected, the pointer changes to a green circle with a plus sign.
In the Layer panel, drag over an object you want to isolate in the foreground Figure 7. The Roto Brush paints in green, and After Effects selects an area. The alpha boundary for the matte is defined by a bright colored line pink by default.
Drag over another part of the object to add to the selection. More of the object is selected. When you remove from the selection, the Roto Brush changes to a red circle with a minus sign and paints in red Figure Note: To paint small regions, you can click the Roto Brush instead of dragging it.
Figure 11 Roto Brush selection in Alpha Boundary view mode Refining a Roto Brush selection Before you move to the next frame and continue rotoscoping, you can refine your selection by using the options in the Effect Controls panel.
To refine a Roto Brush selection: 1. Turning off Alpha Boundary view mode helps you see the boundary of the matte Figure Based on what you see, you may need to add to or remove from the selection. In the Layer panel, click the Toggle Alpha button Figure This view shows a cutout of the selection area. By removing the video, you can see the edges of the selection better Figure Now you see an overlay of everything inside and outside the selection area, but the area outside the selection is tinted.
This is the Alpha Overlay view mode Figure Toggling between views help you see the result of your choices as you refine the selection. Figure 14 Viewing the matte 4. Note: The Propagation settings control how After Effects applies the matte forward in other frames of the video.
Adjust the Smooth, Feather, and Choke values to see how they affect the edges of the matte. You can go back to the default settings at any time by clicking Reset. Select Refine Matte Figure 16 to enable additional matte adjustment options. To modify the matte in other frames: 1. In the Preview panel, click the Next Frame button Figure 5. Selection needs adjustment As you move forward in the clip, the objects move beyond the outline of the matte you created for frame 1.
After Affects attempts to adjust the selection automatically Figure Select the Roto Brush tool and refine the selection to compensate for the movement in the video. Note: The amount of change to the selection depends on the movement of the objects you are attempting to matte. Using the Preview panel, advance to the next frame and modify the selection.
Continue modifying the matte for each frame until you have reached the end of the video clip. Save your work often. Figure 17 Toggle Alpha Boundary in frame 2 Note: Rotoscoping is a time-consuming process, but the Roto Brush tool is a huge time saver compared to drawing selections in each frame by using the Pen tool.
Your effects will apply only to the selected objects. Everything outside the selection is transparent. You can also place the rotoscoped clip over other background videos to transport the selected objects into the new scene.
Another option is to reverse the matte in the rotoscoped clip. Then, when you add effects, they apply to the transparent portion of the clip, thereby changing the appearance of the background clip.
To apply effects after rotoscoping: 1. The effect applies only to the objects you selected by rotoscoping. The reset of the clip is transparent and the background image shows through Figure Figure 18 Effect applied to the rotoscoped video 4. The effect applies to the transparent background portion of the rotoscoped clip, so whatever is directly behind the clip appears to have the effect applied to it. In this example the background appears black and white, but the foreground character is in color Figure Figure 19 Roto Brush effect options 5.
Move the CTI to the beginning of the clip and click the Play button in the Preview window to preview the effect in motion. Then add other effects from the Effects panel to see how they look. There is a no better option to speed up 47 1 KB Read more. Your name.
– Adobe After Effects CS5 Video Tutorials for Beginners
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Adobe After Effects CS5 Tutorials – – Wrap text around an object
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